So here’s the thing: This movie has a ton of what I think is really good stuff as far as script, acting, humor and drama. So why the relatively low rating? As much as I enjoyed the individual moments in the movie, for me it just didn’t gel as a whole. I really wish that the film had picked a course and stayed on it. Personally, when a movie starts out funny and then suddenly changes course into tragedy I just feel like I’m being manipulated, and it’s jarr
Hounddog takes place some time in the late 50’s or early 60’s in the rural south. Dakota Fanning plays Lewellen, a very precocious 12 year old. It seems that right from the start the goal of the film is to make viewers uncomfortable as it opens with a scene between her and a boy that looks a bit younger that is her best friend. They’re in the woods and she wants him to drop his pants and underwear for a peek in exchange for a kiss. She talks about wanting to kill her father, which led me to believe that there may have been some sexual abuse going on, but it’s never alluded to ag
Villeneuve’s horrifying drama/thriller about drug crime on the U.S./Mexico border has been criticized for certain flaws with its screenplay, but the direction on Sicario very much packs a punch – and is arguably as much (if not a bigger) highlight of the film than the direction on such performance driven features as Spotlight . Sicario could end up edging one of those films out for a Best Director nod at the Oscars this year, for related reas
Also appearing later in the film (although his expletive-laced voice is heard early on) is Ralph Fiennes as the man who is in charge of telling them who they need to kill and when. Fiennes did a great job in the role with an intensity that would unleash itself with great ferocity. I also enjoyed both Colin Farrell and Brendan Gleeson. Gleeson was just peaceful to watch, if that makes any sense, and Farrell was the polar, manic opposite. His face was a rubber mask of expressions that was very entertaining to
Unlike the Golden Globes, Terrence Malick’s The Tree of Life was recognized, as was Gary Oldman for his much-praised lead turn in Tinker Tailor Soldier Spy . Notable absences include praised indie titles (and Screen Rant favorites) Shame and Martha Marcy May Marlene in the acting categories, while Nicolas Winding Refn’s Drive only managed to land one nod, in the technical categor
Hounddog suffers from something I’ve noticed in some other indie films: It’s boring and it’s too long. Although it’s filled with gorgeous scenery, the Film Festival Games Online Guide|Https://Moviefestivalhub.Com/ just seems to go on and on and on. This was yet another hour and a half long movie that felt twice as long. The best thing about the film is Dakota Fanning’s performance. She really is amazing at the range and subtlety of emotion she can convey at such a young age. I only hope that she is one of the very few child actors who survives the transition to adulthood unscat
Back in November I posted the trailer to In Bruges and commented that it looked like a movie that would not be a hit with mainstream audiences but those that like indie movies would probably love it. Well I just watched it and I’m more certain than ever that my first reaction will turn out to be accur
So, all in all, just another year at the Oscars – complete with plenty of obvious choices, surprising snubs, and a handful of unexpected nominations. Whether or not the actual winners list will be quite so predictable – or, perhaps, mix things up a bit – that remains to be s
Steven Spielberg’s War Horse managed to land six nods, but the bulk of its nominations were for technical achievements; by comparison, Alexander Payne’s The Descendants raked in five, including (as expected) one for George Clooney as an actor, and others in areas like adapted screenplay and direction. Similar to War Horse , David Fincher’s The Girl with the Dragon Tattoo landed mostly technical category nods – though, Rooney Mara was recognized for her performance in the f
2015 was a noteworthy year for cinema purely in terms of variety, when it came to the year’s most critically-acclaimed film releases. Something like the Steven Spielberg historical drama, Bridge of Spies earned the applause and admiration that one expects when a prestigious Spielberg picture is produced nowadays (which is not to say the film doesn’t deserve it, per se), but even revivals of decades-old pop franchises like Star Wars and Mad Max were equally enthusiastically received (more so in certain cases) as the year’s general crop of arthouse offerings, auteur efforts, and Oscar-baiting end of year dra
In the aftermath of the 2012 Golden Globes ceremony , Hollywood “in-crowd” types like George Clooney and Meryl Streep are favored to take home the gold for acting, while multiple Globe-winning films such as The Artist and The Descendants are considered heavyweight contenders for the coveted Best Picture Os
Surprisingly, neither Steven Spielberg’s The Adventures of Tintin nor Disney’s 2D animated critical darling, Winnie the Pooh , is a contender for Best Animated Feature. However, despite Stephen Daldry’s critic-dividing Extremely Loud and Incredibly Close landing a Best Pic nod over a more universally-beloved title like, say, Warrior , that selection was (unfortunately) expec
